International co-productions have never been more common. Streaming platforms need volume and variety. Broadcasters need to spread risk across bigger budgets. Producers need access to international incentives and finance structures that simply aren't available on a domestic-only basis. The result is that the UK/US/European co-production, once the preserve of prestige film, is now a regular feature of high-end drama, documentary, and factual entertainment slates.
What often gets underestimated, particularly at greenlight, is what that collaboration means for the finance team. The creative conversation about co-productions tends to focus on rights, creative control, and talent. The financial conversation, about how you actually manage a budget spanning three territories, three currencies, and three sets of reporting obligations, tends to happen later. Sometimes much later than it should.
As a Microsoft Dynamics 365 Business Central partner specialising in TV, film, music and media, we see this play out regularly. Here's what the challenge actually looks like and how the right infrastructure changes it.
The instinct is to think of multi-currency co-production finance as essentially normal production finance, but with some currency conversion added on top. It isn't.
When you bring a US studio partner and a European public broadcaster into a production alongside a UK indie, you're typically dealing with multiple legal entities, a UK production company, possibly a US LLC or co-production vehicle, and a European co-producer with their own accounting obligations. Each entity has its own reporting currency, its own tax treatment, and its own expectations about what a cost report looks like.
The intercompany cost splits alone can be genuinely complex. Who is employing the UK crew? Where are the post-production costs sitting, and how are they allocated across partners? Which entity is claiming the UK High-End TV tax credit, and how does that recoupment flow back through the structure? These aren't edge cases, they're standard questions on a three-way co-production, and they need clear answers in your finance system from day one.
Microsoft Dynamics 365 Business Central is built to support multiple currencies, languages, exchange rates, consolidations, intercompany transactions, and tax regulations — which makes it the natural foundation for productions operating across multiple territories simultaneously.
The Multi-Currency Problem
Budget lock on a co-production typically happens months before principal photography begins. By the time you wrap, and certainly by the time you're producing your final cost report, exchange rates will have moved. On a production with significant spend in US dollars and euros alongside sterling, that movement can be material.
The problem most production finance teams face is visibility. If committed costs are being tracked in local currency but your reporting currency is sterling, you need to know - in real time, not at month end - what your FX exposure looks like. A purchase order raised in dollars needs to be visible in your sterling cost report at the right rate, and that rate needs to update as the market moves.
This matters not just for your own financial control, but for your broadcaster cost reports. A UK broadcaster will want to see costs in sterling. A US streamer will want dollar reporting. A European co-producer may want euros. If your finance system can't produce those views from a single set of underlying data, someone on your team is reformatting spreadsheets every time a cost report is due, which is time-consuming and a significant source of error.
Just-TV, built on Microsoft Dynamics 365 Business Central, tracks committed and actual costs in local transaction currency while maintaining live conversion to your reporting currency. Your finance team can see FX exposure as it builds, rather than discovering it when they close the books.
Each co-production partner has a legitimate interest in seeing the production's financial position, but they don't all want to see it the same way. Business Central's real-time dashboards and AI-driven insights remove data silos, meaning intercompany allocations are handled within the system rather than manually tracked outside it. Each entity maintains its own ledger, its own currency, and its own reporting view, but they all feed into a consolidated position that gives the production's finance lead a single, accurate picture of where the money is.
Partner-specific cost reports can be produced directly from the system in the required currency and format, without a finance manager spending days reformatting a master spreadsheet into multiple versions. On a complex co-production, that's the difference between a finance team that's in control and one that's permanently catching up.
Take a realistic example: a six-part UK drama, budgeted at £12 million, co-produced between a London-based indie, a US streaming platform contributing 40% in dollars, and a European public broadcaster contributing 20% in euros.
At greenlight, the structure looks manageable. By the time pre-production is underway, the finance team is dealing with: dollar-denominated VFX contracts that need tracking in sterling; euro-denominated location costs that need reporting to the European broadcaster in their own format; intercompany recharges between the UK production entity and the US co-production vehicle; and a HETV tax credit claim that needs to accurately separate qualifying UK spend from international contributions.
Without the right system, the production finance manager is running parallel spreadsheets, manually converting currencies at inconsistent rates, and producing each cost report as a bespoke exercise. Errors creep in, version control becomes a problem, and when the completion guarantor asks for a consolidated position at short notice, it takes days to produce something you're not fully confident in.
With Just-TV on Business Central, the structure is mapped into the system at the outset. Cost reports for each partner are produced from the same underlying data, in the right currency, in the right format - and the AI-powered capabilities within Business Central help teams make smarter, faster decisions rather than spending their time assembling numbers manually.
Co-production is the direction of travel for high-end content. The productions that manage this well, and build reputations as reliable financial partners, are the ones whose finance infrastructure is ready for the complexity before it arrives, not after.
If your current system works for a straightforward domestic commission, that's fine. But if you're developing international co-production partnerships, it's worth asking honestly whether it's built for what you're about to put it through.
Planning an international co-production?